Yves Tanguy #DigLit

bio_tanguy_yves.jpgPhoto cc of theartstory.com

Yves Tanguy was born in Paris, France, January 5, 1900. Tanguy never had any formal training as a painter in fact he spent his youth sailing with the Merchant Navy. In 1923 he returned to Paris where he would spend his days sketching at cafés. After seeing a painting by Giorgio de Chirico he decided to become a painter. He joined the Surrealists in 1925 and began to employ automatism to create his paintings. What makes his art stand out from his fellow artists was that none of his depictions had much grounding in reality. When we look at paintings by Ernst, Chirico, Marguerite, and Picasso we see images that are easily identifiable. When one looks at a painting by Tanguy what you are seeing is the unconscious in its purest form. Tanguy may have been influenced by rock formations near Brittany where his mother lived but is an influence not a representation of reality.

“If Tanguy’s style is realistic, his visual poetry is abstract.” (Tompkins)

Tanguy was probably one of the only surrealists to really employ automatism to create his works. A person can see recognizable shapes and objects in most other surrealist art but not in Tanguy’s. He reached deep into his unconscious and brought forth art that did not change much over his life, if anything it got darker and more intense.

Imagery Numbers was probably one of Tanguy’s last paintings before his death in 1955 and it really shows how more disturbing his paintings became.

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Imagery Numbers, 1954 Yves Tanguy

Photo CC http://www.artexperiencenyc.com

Tanguy met Kay Sage, his future wife in 1939 in Paris. He followed her to the United States following the start of World War II. They got married in 1940 and made their home in Woodbury Connecticut where they turned their home into a studio. Tanguy and Kay spent the rest of their lives in Woodbury where he died of a stroke in 1955.

I like Tanguy’s work because it is really is the essence of surrealism and what the Surrealists were trying to accomplish as an art movement, but I prefer the works of Magritte, and Dali who I will hopefully be talking about in the next two weeks.

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A Large Painting Which is a Landscape, 1927

Photo CC of WikiArt

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The Certitude of the Never Seen, 1933

Photo CC of Arctic.edu

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The Satin Tuning Fork, 1940

Photo CC of Metmuseum.org

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Indefinite Divisibility, 1942

Photo cc of Wikipedia

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Through Birds, Through Fire, but Not Through Glass 1943

Photo cc of artsconnected.org

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My Life, White and Black 1944

Photo cc of metsmuseum.org

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References and Cited Sources:

http://www.britannica.com/biography/Yves-Tanguy

http://www.guggenheim.org/new-york/collections/collection-online/artists/bios/1568

http://www.wikiart.org/en/yves-tanguy#supersized-featured-187411- this is a great link to go to and scroll through some of Tanguy’s art.

http://www.metmuseum.org/toah/works-of-art/1999.363.80/

https://en.wikipedia.org/wiki/Yves_Tanguy

Tomkins, C., & Duchamp, M. (1966). The world of Marcel Duchamp, 1887-. New York: Time.

Rubin, W. (1968). Dada, Surrealism, and their heritage. New York: Museum of Modern Art; distributed by New York Graphic Society, Greenwich, Conn.

Crispolti, E. (1970). Ernst, Miró, and the surrealists. New York: McCall Pub.

 

 

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4 thoughts on “Yves Tanguy #DigLit

    1. I’m in two separate classes that require blogging so I am using the same blog but marking my blog posts so people in separate classes know which blogs to read. #DigLit is for my Digital Literacy class and #YaLit is for Adolescent Lit. You are welcome to read my other blog posts but they aren’t going to have much to do with YaLit.

      Liked by 1 person

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